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“Angel City as a whole is conceived with wonderful wit and physical elasticity.” -The Village Voice |
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| “George Ferencz, who in his previous productions of Shepard (The Tooth of Crime and Cowboy Mouth) has proved himself to be one of the playwright’s most inventive interpreters, approaches Angel City as a free-form jazz riff. It is evident that Mr. Ferencz and his company are making a distinct contribution to the theatrical and musical uses of Sam Shepard’s plays.”
-The New York Times |
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